National Geographic UK – February 2020
English | 145 pages | pdf | 149.71 MB
WHEN I WAS YOUNG, what my friends and I considered pretty was everything I was not: Tall. Stick-straight blond hair. Blue eyes. We wanted to look like Peggy Lipton from the TV show The Mod Squad. Or a 1960s Barbie, with her yellow ponytail and absurdly unattain-able ﬁgure. But every day, the mirror provided a reﬂection of how I, and so many others, failed to attain that ideal.
As writer Robin Givhan puts it in “Redefining Beauty,” her story in this issue, “For generations, beauty required a slender build but with a gen-erous bosom and a narrow waist. The jawline was to be deﬁned, the cheek-bones high and sharp. The nose angu-lar. The lips full but not distractingly so. The eyes, ideally blue or green, large and bright. Hair was to be long, thick, and ﬂowing—and preferably golden. Symmetry was desired. Youthfulness, that went without saying.”
When National Geographic decided to spend 2020 examining the state of the world’s women, we debated whether to write about beauty. Would that be shallow or playing into stereo-types? In the end, we concluded our coverage would be incomplete if we didn’t address the outsize role that beauty plays in women’s lives.
In every country and culture, women are perceived and judged, advantaged or disadvantaged, by their appearance in ways that men are not. Social media ratchets up the pressure, with body shaming and Instagram- ﬁltered ideals. Let’s not even talk about the ubiquity of cosmetic surgery.
Still, humanity’s standards of beauty are expanding; for proof, see the some-what creepy but highly illustrative photo above. The homogeneous Barbie of the baby boom is gone, replaced by a multitude that many more girls might appreciate—every color of skin and shape of eyes, every texture of hair; different noses, lips, and body types.
“We are moving toward a culture of big-tent beauty. One in which every-one is welcome,” Givhan writes. Of course, that’s not yet fully the reality. But as someone who’s the same age as Barbie—we both entered the world in 1959—I marvel at the progress. We don’t all have to be Peggy Lipton anymore.
Givhan says it best: “The new out-look on beauty dares us to declare someone we haven’t met beautiful. It forces us to presume the best about people. It asks us to connect with peo-ple in a way that is almost childlike in its openness and ease. Modern beauty doesn’t ask us to come to the table without judgment. It simply asks us to come presuming that everyone in attendance has a right to be there.”
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