Guest editor Gillian Moore, director of music at London’s Southbank Centre, examines who classical music is for and how we can encourage listeners from all backgrounds to get involved; making performance spaces welcoming and inclusive; examining audience behaviour; the art of curation; Mark-Anthony Turnage discusses his working-class roots; and rediscovering Stockhausen’s Licht.

Plus, Oxford Philharmonic turns 20 with a series of new international partnerships; Jennifer Pike explores her polish heritage; Catrin Finch shares her passion for the harp; putting Dorico’s notation software to the test; Blackheath Halls reopen after refurbishment; Danish composer Poul Rouders marks his 70th birthday with a new operatic premiere; organising international tours for orchestras and choirs; and Saffron Hall celebrates its fifth anniversary.

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